Two scenes have attacks. You form both hands into a stranglehold. All fingers are together, thumbs are horizontal, not above each other. It doesn't have to be exactly this shape of hands, because it's better for me, when you look into the camera instead of looking at the hands for checking the shape of it. You close your hands around the neck of the spectator already in a distant view, see example picture "Beautifulblond01.jpg". It's no problem, if the hands don't disappear because of the distance to the camera. Please have open hands, fingers and palms of hands don't bend or only a little bit...

Two scenes have attacks. You form both hands into a stranglehold. All fingers are together, thumbs are horizontal, not above each other. It doesn't have to be exactly this shape of hands, because it's better for me, when you look into the camera instead of looking at the hands for checking the shape of it. You close your hands around the neck of the spectator already in a distant view, see example picture "Beautifulblond01.jpg". It's no problem, if the hands don't disappear because of the distance to the camera. Please have open hands, fingers and palms of hands don't bend or only a little bit. You come closer and imitate to press. Both hands disappear in the bottom of the screen. It's no problem, if a part of your hands is still visible. You imitate to to with the same facial expression like in the example pictures. Please don't lift the head. Your face shows pressure like in the examples. The two other scenes don't have attacks. Your hands are not to see, because both hands are around the neck of the spectator already in the beginning in a distant view, see example picture "BeautifulblondKiller01.jpg". Your face shows pressure like in the examples. You come closer and the spectator. Please don't lift the head. You look the whole time into the camera.