Utterly, helplessly, rope-lashed to their seats, they’re mumbling quietly through the super-tight handkerchief gags stretched over their full, sensual lips, and they’re squirming contained in chairs, helpless in the clutches of some extremely BAD company...
Soft but deliberate mmmmmpppphhs, from somewhere inside the house. As gorgeous Miss Monaco approaches the window, she notes movement from within. It’s Daisy, missing since this morning when they agreed to meet up her at Banality House to cover their story about the insane gentleman poacher who resides here... She’s inside squi...
Utterly, helplessly, rope-lashed to their seats, they’re mumbling quietly through the super-tight handkerchief gags stretched over their full, sensual lips, and they’re squirming contained in chairs, helpless in the clutches of some extremely BAD company...
Soft but deliberate mmmmmpppphhs, from somewhere inside the house. As gorgeous Miss Monaco approaches the window, she notes movement from within. It’s Daisy, missing since this morning when they agreed to meet up her at Banality House to cover their story about the insane gentleman poacher who resides here... She’s inside squirming in a wooden chair. Yanking that window open she is shocked to find her colleague, trussed and gagged, pleading with her eyes for assistance. But there is a silent warning too. Watch your back, for here there be danger...
But that’s Daisy - a bound and gagged prisoner – Charlie has to sneak inside the house and rescue her. Well, she gets about as far as the sneaking in, imploring the mumbling cutie to stay quiet. Oh, the irony – He’s BEHIND you! Boom. Hand over mouth time again, just as young Daisy got earlier on!
The lovely reporter writhes against him as he holds her pinned and unable to call out, and soon enough, he has both women all tied up in chairs! With the girls bound and gagged, most securely, tight handkerchiefs bound over their mouths, the poacher’s assistant makes call to his boss, which the powerless ladies watch with some bemusement, occasionally trading anxious stares at one another.
The two captives are left bound up on chairs. They are oh so helpless. And when our babes are helpless, what do they usually do?? Why struggle and squirm and gag talk hotly, of course. These two stunning women do that very well indeed. And, later, after much chair-shifting and desperate gagged up conversations.
Clearly, the idea was to completely immobilise them and slowly numb their arms, so that the more they struggle and wriggle (and they do plenty of both) the tougher it becomes. The girls, dully detective gagged and thus totally unable to speak, bump and shift heatedly beside one another, desperately trying to understand what is being mmmmmppphhhhh’d.
They continue like this, about as excitingly as you might surmise, and continue to struggle, Charlie straining hard at her tight handkerchief OTM as Daisy shifts to the side in her chair, desperately trying to get her secured wrists near her colleague in the pursuit of escape. The girls struggle oh so passionately, kicking their gorgeous toned legs around and gag talking miraculously hotly. They even shuffle those seats in back-to-back and try to free themselves.
After more amazing, chair-bouncing mayhem and massive struggling and straining totally restricted and gagged in their seats, and we are concerned for their safety up here at not so Banality House! It’s just a straight up, chairtied action-fest with the nosy reporters left helpless in those seats to permutate over just what this poacher-man they’ve been covering might end up doing to them upon his return. Could they be destined for the Old Swamp, or will they figure something out in the interim...? One thing’s for sure, those gags AND those ladies are HOT and you’ll be unable to remove your eyes from them detective gagged in chairs. Old School, unflinching cloth gagged excellence.
***All productions (video & images) & associated bondage scenarios depicted are strictly of a role play and story driven nature and feature fully consenting participants aged over 18 and established safe signals (clearly defined within each fantasy scene) between model(s) and crew are in continual use throughout the production. Thus, these are pure, tongue in cheek adventuristic fantasy scenarios, without exception fully consensual, contextual and supported by model release to this effect***
