When we make nightly car driving films, we always try to stay as close as possible to the original from the eye of the beholder. That means, we always include the natural darkness in the way that you perceive it optically when driving at night. Of course, it's not that easy. And in the beginning we had all sorts of problems, always only allowing as much light as necessary so as not to let the real-time darkness fall into the unrealistic brightness. Mick and I had trained this over the years before we started here with Aleskia to produce pedal pumping clips in real time, as far as the night... Show more