We follow from the rear quietly but still tense the happenings in the lightly illuminated but qualitatively very recognizable footwell and the lights at the same time at the windshield, passing cars, bright illuminated crossroads and underpasses, shops and bars of the long already broken night. The focus from the full backward width of the car begins with the fascination of the nocturnal circumstances of the car ride with a charmingly dressed unknown elderly lady on steering wheel. The focus of the individual sequences, which are decisive for us, swings for the authentic, very sharp, noctur... Show more