Rachel Adams, visiting Irene Silver's house for the first time, is shocked when the statuesque Irene suddenly grabs her, clamps a hand over her mouth, and drags her into a bedroom. There, Rachel is quickly bound in a black bolero-style straitjacket, her head encased in an open-mouthed black hood, her curves accentuated by a pink bra and panties, and her legs encased in the knee-high black stiletto boots she arrived in. The room is sparsely furnished, and a window reveals the sunlit world outside, but Rachel is going nowhere.

Pacing back and forth, Rachel struggles against her bon...

Rachel Adams, visiting Irene Silver's house for the first time, is shocked when the statuesque Irene suddenly grabs her, clamps a hand over her mouth, and drags her into a bedroom. There, Rachel is quickly bound in a black bolero-style straitjacket, her head encased in an open-mouthed black hood, her curves accentuated by a pink bra and panties, and her legs encased in the knee-high black stiletto boots she arrived in. The room is sparsely furnished, and a window reveals the sunlit world outside, but Rachel is going nowhere.

Pacing back and forth, Rachel struggles against her bonds, moaning in frustration. Irene returns to strap Rachel to a chair, leaving her to struggle helplessly for minutes. Finally, Irene returns to lay Rachel on her bare tummy on the carpet and double-hogtie her with straps, demonstrating the impossibility of Rachel ever escaping.
The entire scene feels like it's straight out of a classic 1950s BDSM comic, with Rachel's bondage ensemble perfectly matching the diabolical situation she finds herself in.