We went with black and white for this clip because we think the film noir look adds drama, as if any were needed, to Devon's skylit flexing, self-punching and nipple play. The contrast emphasizes his striations, vascularity, and five-o'-clock shadow, and there's no place the viewer would rather be than below as Devon oils himself up, worships his own muscles and gets himself off.

We went with black and white for this clip because we think the film noir look adds drama, as if any were needed, to Devon's skylit flexing, self-punching and nipple play. The contrast emphasizes his striations, vascularity, and five-o'-clock shadow, and there's no place the viewer would rather be than below as Devon oils himself up, worships his own muscles and gets himself off.