You can tell that Jill is really pissed off at having to walk outside in front of the office and on the stepping stones between the two buildings. She walks like she's about to beat somebody's ass. Her thick haunches roll under her khaki shorts and her stride is purposeful. When she hits the door to go back inside, you think it's going to come off its hinges, she pushes it so hard. And her calves—that's the important thing. They jump out when she puts her weight down, and even when she's just walking, they're wonderful to follow, as you shall see.