Rylee Grayson and I decided we wanted to christen the pole in the old studio by tying against it and making her work to maintain her composure. She starts out by wearing a super short black dress with high heeled black boots. She is smiling a fair bit through the beginning of the clip except when she is making faces at me.
I bind her wrists together and pull them up over her head, anchoring them above on the beam she has her back against. We follow that up with rope around her waist and I anchor it tightly enough to pull her stomach in harshly. Her thighs are anchored next, pulled hard and...

Rylee Grayson and I decided we wanted to christen the pole in the old studio by tying against it and making her work to maintain her composure. She starts out by wearing a super short black dress with high heeled black boots. She is smiling a fair bit through the beginning of the clip except when she is making faces at me.
I bind her wrists together and pull them up over her head, anchoring them above on the beam she has her back against. We follow that up with rope around her waist and I anchor it tightly enough to pull her stomach in harshly. Her thighs are anchored next, pulled hard and cinched against the pole as well. She then wears the biggest ball gag we have in the kit, a large 2" black rubber gag that no one likes the taste of. Her chest is wrapped firmly in place keeping her trapped against the pole.
Her hips are bound next, keeping her from wiggling too much. She twists and pulls as much as she can so I decide to add more rope, pulling her arms towards each other behind her head, her to look down and starting the drool. Her wrists are too low so they get pulled back up so she is pulled firmly up, stretched uncomfortably. She still looks too comfortable so her right ankle is pulled up and frogtied, her leg tied bent. She is to stand on her left foot only for a good long while.