Marie-Lune’s feet are still the targets, but her position has changed. She’s now on the bench on her stomach, her legs restrained straight behind her. Her feet are close to the camcorder while her head is away. On the downside, this means her face isn’t visible very often. On the upside, I can get better shots of her feet than I did before. The action start moderately, but it soon get worse for ML. Through her yelps and laughter she often sounds like she’s desperate, or panicking. Teeth are still Kim’s main tools, but she finds out that ML’s feet have become more sensitive to fin...

Marie-Lune’s feet are still the targets, but her position has changed. She’s now on the bench on her stomach, her legs restrained straight behind her. Her feet are close to the camcorder while her head is away. On the downside, this means her face isn’t visible very often. On the upside, I can get better shots of her feet than I did before. The action start moderately, but it soon get worse for ML. Through her yelps and laughter she often sounds like she’s desperate, or panicking. Teeth are still Kim’s main tools, but she finds out that ML’s feet have become more sensitive to finger tickling, so she adds some of that to her dental work. For the last two minutes the bench is turned around so that ML faces the camcorder. Her feet and Kim are way in the background, and ML tends to keep her face down, but at least I get a better view of the overall action, including ML’s struggling.