“UMMMMM-MMMMM--MMMMPPPHHH!!??”
The stunning lady gumshoe, all tied up to a wooden beam, pauses and listens intently at the faint sound of a police siren in the far distance... Her strong, sexy mouth is stopped fast and sure by a very tight handkerchief tied over it and all she can do is mumble to herself (which she does to mesmerising effect) up here in the attic. Nobody can hear her... and anyway, what precisely is this creep planning on doing with her? The Theatre Spectre has her gagged and bound and all too helpless and she has to think fast before he tugs away at the final curtain!
Acting on a red-hot tip concerning stolen theatre apparel dating back to the late 1700s, super-sexy P.I. Miss Dillon, looking like something right out of an old cartoon in her, black top, hot blue overcoat, matching stiletto heels and crumpled fedora, arrives to an eerily silent scene... the glamorous babe shows up at the ostensibly abandoned Cantonese Theatre to check out a lead or two on the recent clothing thefts. Apparently, a masked individual has been sighted going in and out of the supposed-to-be-condemned building. It’s up to our intrepid snoop to get a handle on this. And snoop... she does...
We join our striking, leggy blonde as she silently enters the premises finding herself in an abandoned projector room. It’s here, while she noses around, that all of a sudden, she gets her ass GRABBED. A truly fiendish handgagging later and the beauty is spirited to the very top of the building, hidden from view, as she struggles mightily while her ghoulish captor climbs down through the ceiling hatch, leaving her alone and wondering just what in the heck has gone on!
Leaving the busty girl trussed and gagged with a handkerchief in the creepy loft-space, we can all heartly enjoy the indisposed Private eye squirming and mmmmpppphhhhing in this secret spot, Kicking around those strong, shapely bronzed legs all the while. Bewildered, and no closer to discovering the truth, Daisy knows is in a lot of hot water here at the mercy of this deranged thief. Looks like she caught him in the act of snatching more of the priceless garments but now she has interrupted him, he has more than returned the favour to her!
Miss Dillon does her level best, making wonderful use of the attic she finds herself concealed within. She attempts, somewhat frenziedly to saw back and forth, and up and down, at the many ropes holding her fast to that beam. She can neither get a break nor loosen her wrist bindings. What she can achieve, in these close, cobwebby confines, is mumble incoherently into that sexy tight OTM gag! Of course, she’s hoping she’ll be rescued, but all she can draw from this is the attention of that creep. Up he comes again, this time tying a second handkerchief very tightly over her nose, further muffling and inconveniencing the plucky gumshoe!
Miss Dillon continues to mmmmppphhh and strain at her bonds and is particularly incensed when later still, she is revisited and summarily hogtied. She has no hope of escape and gag talks defiantly right up until the point where the Spectre turns out the lights. By the time Miss Dillon finally manages to wriggle free, the final garments will have been pilfered and this old theatre will contain just one item of value – a meddling detective babe tightly bound. Most assuredly, this isn’t going to go down as one of her brilliant successes, captured as she has been, just like a Nancy Drew-style amateur! Ha, better luck next time, Miss Dillon! We devoutly hope you bump into this dude again. Now, perhaps you should wait for the cops to do THEIR job and find you ass, eventually!
“GGGMMMMMMMMMPPHHH!!!!”
***All productions (video & images) & associated bondage scenarios depicted are strictly of a role play and story driven nature and feature fully consenting participants aged over 18 and established safe signals (clearly defined within each fantasy scene) between model(s) and crew are in continual use throughout the production. Thus, these are pure, tongue in cheek adventuristic fantasy scenarios, without exception fully consensual, contextual and supported by model release to this effect***
